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Beyond Our Control?: Confronting the Limits of Our Legal System in the Age of Cyberspace by Stuart Biegel,

Beyond Our Control?: Confronting the Limits of Our Legal System in the Age of Cyberspace by Stuart Biegel,
This book provides a framework for thinking about the law and cyberspace, examining the extent to which the Internet is currently under control and the extent to which it can or should be controlled. It focuses in part on the proliferation of MP3 file sharing, a practice made possible by the development of a file format that enables users to store large audio files with near-CD sound quality on a computer. By 1998, software available for free on the Web enabled users to copy existing digital files from CDs. Later technologies such as Napster and Gnutella allowed users to exchange MP3 files in cyberspace without having to post anything online. This ability of online users to download free music caused an uproar among music executives and many musicians, as well as a range of much-discussed legal action.Regulation strategies identified and discussed include legislation, policy changes, administrative agency activity, international cooperation, architectural changes, private ordering, and self-regulation. The book also applies major regulatory models to some of the most volatile Internet issues, including cyber-security, consumer fraud, free speech rights, intellectual property rights, and file-sharing programs.



Beyond Our Control?: Confronting the Limits of the American Legal System in the Age of Cyberspace by Stuart Biegel,
Beyond Our Control?: Confronting the Limits of the American Legal System in the Age of Cyberspace by Stuart Biegel,
This book provides a framework for thinking about the law and cyberspace, examining the extent to which the Internet is currently under control and the extent to which it can or should be controlled. It focuses in part on the proliferation of MP3 file sharing, a practice made possible by the development of a file format that enables users to store large audio files with near-CD sound quality on a computer. By 1998, software available for free on the Web enabled users to copy existing digital files from CDs. Later technologies such as Napster and Gnutella allowed users to exchange MP3 files in cyberspace without having to post anything online. This ability of online users to download free music caused an uproar among music executives and many musicians, as well as a range of much-discussed legal action.Regulation strategies identified and discussed include legislation, policy changes, administrative agency activity, international cooperation, architectural changes, private ordering, and self-regulation. The book also applies major regulatory models to some of the most volatile Internet issues, including cyber-security, consumer fraud, free speech rights, intellectual property rights, and file-sharing programs.



Espew - eSpew is a free online music download service founded by Eric Stubbs, a Purdue University computer engineering student. eSpew was a pioneer for the mp3 web search, and maintains that it was the largest directly linked mp3 database in the world while the site remained open.

Digital download - A digital download (also known as a digital single or a paid digital download) is an official legally released music single released by artists to the public. Popular legal online music store that sell digital singles and albums include Apple's iTunes and Napster

CoCoA (Compilation Compiler Advisor) - Through a project of the University of Trento (Università degli Studi di Trento) and Karadar Classical Music, thousands of free, uncopyrighted, legal mp3 downloads have been made available. CoCoA is a system that allows classical compilations to be easily created and downloaded, and also invites user comments and criticisms on other users' compilations.

MP3 Newswire - MP3 Newswire is an online magazine of news related to digital music technology including MP3 players and related legal issues .



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